![]() ![]() And using these to create kernels of tracks in no way prevents them from sounding awesome in the hands of an inspired musician who has the slight handicap of not knowing tons of theory. This tool displays chord position diagrams for fretboard-based stringed instruments, such as the banjo, mandolin, guitar etc. But in my opinion, the only thing that matters is how it sounds in the end. For many creative people who don't know as much music theory, these tools are a way of getting past the chord progression to the area they actually are inspired to work with.ĭamn guys, if we hate conformity that much, we might as well start derisively shitting on 4/4 time or heptatonic scales. A reliable chord progression can be a good way to focus on innovating other ways in the songwriting, production, etc. An unpredictable chord progression is not a prerequisite to good music. Music theory is not a prerequisite to good music. But chord progressions are not everything, certainly not in today's music creation landscape, and I'm actually surprised to see WATMM be so conservative about this. There are a million ways to be creative when making music, and all I'm seeing is people condemn the loss of creativity to chord progressions by using these tools. Seriously people, who cares if someone makes a song using these generators. ![]() So many of the comments I'm seeing here reduce to essentially saying, "These things are cheating." ![]()
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